The Best Makeup Looks From Spring 2018 Runways

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Dior

The Look: “I wanted to accentuate the eye in a very spontaneous way, giving the impression of a young girls who had applied her own makeup,” says makeup artist Peter Philips. “I chose to really load the eyelashes while leaving them at a natural length.” (Each model had six or seven coats of mascara.)

If You Buy One Thing: Diorshow Pump‘N’Volume Mascara, $30; sephora.com

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Dries Van Noten

The Look: Models’ eyes were carefully circumnavigated with evenly space silver dots; others had a vertical line of the same spots along the center of their mouths.

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Lanvin

The Look: What looks like your average cat-eye was actually applied with…the bendy crook of a straw. “I wanted a graphic, sharp, edgy liner to create the optical illusion of movement,” said makeup artist Karim Rahman, who mixed up a thick black paste with acrylic paint to achieve the effect.

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Rochas

The Look: Exaggerated eye outlines in black pencil.

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Maison Margiela

The Look: The natural color in the lips was blotted out with foundation, then a hot, matte pink was applied in symmetrical almost heart-like blots, leaving a slim silhouette down the center.

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Dolce & Gabbana

The Look: Polished and lengthy lashes with precise crimson lips.

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Marni

The Look: Completely opaque swatches of color—deep indigo, hunter green—pulled across the entire lid, almost like camouflage.

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Alberta Ferretti

The Look: Softly slate eyes with petal pink lips.

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Missoni

The Look: Makeup artist Lynsey Alexaner gave each model, “blocks of stamped-on, colored eyes in graphic shapes” for a ’90s cool-girl feel. Custom-blended acrylic paints were painted in a dome just above the socket, then winged out and down, and set with translucent powder.

If You Buy One Thing: M.A.C Prep + Prime Transparent Finishing Loose Powder, $27; ulta.com

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Roberto Cavalli

The Look: A wide ring of graphite liquid line all around the eyes finished with a tidy flick on the outer corners.

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Fendi

The Look: Now that’s a cat-eye.

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Jil Sander

The Look: And just when you thought it couldn’t get any more minimal, models received a short strike of black liner just above the outer, upper corners of their lashlines.

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Moschino

The Look: No-nonsense brows, shiny and sharp cat-eyes, rose neutral lips.

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Max Mara

The Look: Matte satin lips in a true coral; eyes dabbed with sheer pewter shadow.

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Giorgio Armani

The Look: Sooty eyes rimmed with a soft halo of near-translucent powder.

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Versace

The Look: Smokey eyes made regal with a touch of gold.

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Bottega Veneta

The Look: Dewy peony cheeks.

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Gucci

The Look: Bare eyes, smudged lips.

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Stella Jean

The Look: A sprinkle of silver glitter twinkling all the way from the lashline to up and over the brows.

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Tod’s

The Look: What looks basically bare is actually an allover wash of peachy pink.

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Tommy Hilfiger

The Look: Bare lips, blackout lids.

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Erdem

The Look: Crescent cat-eyes.

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Versus Versace

The Look: “This look was inspired by the great and glorious Amy Winehouse’ iconic punky, graphic, overdrawn feline llick, as well as Kate Moss’ signature eye,” makeup artist Charlotte Tilbury said in a statement. “The complexion was lit-from-within, highlighted, glowing, bare and natural with a fuller, wider beige nude lip. Donatella wanted every model to have a slightly different makeup personality, but feel like they were from the same tribe.”

If You Buy One Thing: Charlotte Tilbury The Feline Flick Liquid Eye Pen in Panther, $30; charlottetilbury.com

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Christopher Kane

The Look: White bright eyes.

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Roksanda

The Look: Brushed up brows and, on some, bright blotted lips.

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Emporio Armani

The Look: “The goal here was lived-in pastel green shadow toughened-up with a touch of black and finished with a tear in white glitter,” said makeup artist Linda Cantello.

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Preen

The Look: Glowy skin, bronzed eyes.

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House of Holland

The Look: Electro-pop eyes, true nude lips.

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Simone Rocha

The Look: Bare eyes and rosy cheeks.

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J.W. Anderson

The Look: Blacked-out bottom lashline.

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